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August 6, 2010
Anamorphic typography installations
[posted by Donald®]
It's More Than Just Print
.jpg "Anamorphic Typography 2")
Graphic Design students Joseph Egan and Hunter Thomson graduated this week with two anamorphic typography installations in Chelsea College of Art & Design which they completed for our Final Major Project in 2010 as a collaborative venture.
More on Joseph Egan’s blog: Colourblind Design
College: Chelsea College of Art & Design / Summershow -
August 1, 2010
Typographic Trees
[posted by Donald®]
typographic tree columns at crawley library.
For the new library designed by architects Penoyre and Prasard, Gordon Young, in collaboration Why Not Associates, has created a ‘forest’ of oak columns which are sited throughout the library and installed from floor to ceiling like supporting pillars. Workshops with users of the library were held by artist Anna Sandberg to gather information on people’s favourite books, places and memories. Using this generated content, Gordon worked with typographers Why Not Associates to design the columns. Each of the 14 solid oak columns reflect different subjects from the gothic to the romantic and are sited in specific relevant locations within the library.
Artist: Gorden Young
Design & Typography: Why Not Associates -
July 25, 2010
Alphabet of Everyday Objects
[posted by Donald®]
Awesome work by photographer Bela Borsodi. By combining everyday objects and precise angles, he creates visually stunning compositions that form giant letterforms. My personal favorite is definitely that uppercase ‘A’ in the first photo below.
source: ugmonk
designer/photographer: Bela Borsodi -
April 10, 2010
Flashlight Alphabet
[posted by Donald®]
Flashlight as paintbrush. Typography sparkles.
Designer: Holly Ann Schmidt -
March 30, 2010
The legendary Gerrit Noordzij on drawing
[posted by Donald®]
Gerrit Noordzij on drawing from Erik van Blokland on Vimeo.
The legendary typedesigner Gerrit Noordzij is visiting Type]Media at the Royal Academy of Arts in The Hague. He’s explaining why he draws type from the inside out, not as an outline.
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